Maven (raven)Terrane Project DrawingLake View (dust)Void I to VI in the galleryRed Cloud (trophy)Red Cloud (resumption of nuclear testing)Red Cloud (collecting wood)Mirage IIDanaë Unbound (dust) ans Danaë UnboundTenements (Frearson’s 1895) (detail)Signs of the timesRed cloud (salt lake)Woodlines Previous slide Next slide Rock love brings together mixed media works responding to the past and present landscapes …
2 hour bespoke performative walk, framed drawn certificate.
A reflective essay by independent curator John Barret-Lennard describing walking practices from the 1990s and 2000s in comparison with the 2013 fast|slow|complex exhibition. There is no easy entry into this exhibition or to the art work of Perdita Phillips. One must set out at one’s own pace, picking a way over the obstacles encountered, negotiating …
This image essay brings together notions of dehydration and lostness in outback walking (based on personal experience) with its ecological counterpoint of the rapid change occurring in our world today. Analogical comparisons are drawn between the point where walking loses its rhythm (because of exhaustion) with ecosystems that, too, appear to have lost their way.
Digital inkjet print on paper. Outside the Tate Britain, the last of the season’s tulips
Digital print on archival paper. Two of a number of prints developed as part of The Laramide Project in a Walking and Art themed residency
Documentation of walking place – Busselton Entrance Statement Investigation project
Documentation of walking place – Busselton Entrance Statement Investigation project (red)
Documentation of walking place – Busselton Entrance Statement Investigation project (the whale)
Installation. In an exhibition whose theme was mapping the radio tracking data of a two tammar wallabies on Garden Island off the coast of Perth are reproduced as a floor map. The blue (female) and aqua (male) marks are technologically mediated signatures at 1:100 scale
