f l r
_

now

early shots from fast|slow|complex

These are some early shots from the installations. More documentation next week.

 

waste land (detail) 2013

 

fast|slow|complex by Perdita Phillips at Spectrum project space, Edith Cowan University Mount Lawley Campus, 19 February to 1 March 2013

Artist’s talks Saturday 23 February 2:30pm and Wednesday 27 February 11:00am

Tuesday to Friday 10:00am to 6:00pm
Saturday 23 February 12:00pm to 5:00 pm

Please join us for the exhibition’s concluding event on Thursday 28 February at 5:00 to 8:00pm

waste land (detail) 2013

 

fast|slow|complex by Perdita Phillips presents a rigorous body of work from this distinctive Western Australian artist. The exhibition combines investigations into themes of waste and wastelands, with explorations of disaster and transformation born from post-disaster environments.

The works showcase the artist’s agility in a diverse range of media, including drawing, video and sculpture. fast|slow|complex marks a crystallisation of Phillips’ practice of examining the parallels and complexities within the living world, with a new reflective focus on recuperative socioecological strategies for the future. The artworks contain oblique suggestions of hope in an ‘unruly’ world of complexity and flux. Burdens are lightened and wastefulness is replaced by elegant and thrifty recuperative strategies.

spectrum project space

http://sca.edu.ecu.au/projects/spectrum

Building 3 Room 3.191
Edith Cowan University
Mount Lawley Campus WA 6050

the secret cyclone (detail) 2013

 

For bus services see https://www.ecu.edu.au/about-ecu/getting-to-ecu/getting-to-mount-lawley-campus and http://www.transperth.wa.gov.au/. Parking free on Saturday 23rd.

32 things to do (detail) 2013

fast | slow | complex exhibition opening

FAST | SLOW | COMPLEX at spectrum project space

You are invited to fast|slow|complex at Spectrum project space 19 February to 1 March 2013

fast|slow|complex> by Perdita Phillips presents an rigorous body of work from this distinctive Western Australian artist. The exhibition combines investigations into themes of waste and wastelands, with explorations of disaster and transformation born from post-disaster environments.

The works showcase the artist’s agility in a diverse range of media, including drawing, video and sculpture. fast|slow|complex marks a crystallisation of Phillips’ practice of examining the parallels and complexities within the living world, with a new reflective focus on recuperative socioecological strategies for the future. The artworks contain oblique suggestions of hope in an ‘unruly’ world of complexity and flux. Burdens are lightened and wastefulness is replaced by elegant and thrifty recuperative strategies.

Please join us for the exhibition’s concluding event on Thursday 28 February at 5:00pm

Artist’s talks Saturday 23 February 2:30pm and Wednesday 27 February 11:00am

Spectrum project space
Building 3 Room 3.191
Edith Cowan University
Mount Lawley Campus WA 6050
Tuesday to Friday 10:00am to 6:00pm
Saturday 12:00pm to 5:00 pm

sleepwalking and night vision works in Testing Ground at Salamanca Art Centre, Hobart

The video sleepwalking and night visions photographic prints will be in the exhibition Testing Ground curated by Julie Gough at Salamanca Arts Centre, Hobart. Details on the show to be posted soon at http://www.salarts.org.au/

Shy (dissolution + exchange) in Yonder

shy animation (quick trial)

The conceptual mail art project Shy (dissolution + exchange) is slowly making its way around the southern hemisphere. The work is on display in the exhibition, Yonder at the Perth Institute of Contemporary Art, James Street, Perth from 8 September – 21 October 2012.

Yonder offers a contemporary perspective on the desire that artists have always had to know ‘what’s over there’. With the notion of ‘mobility’ as the exhibition’s central idea, Yonder considers some of the poetic and pragmatic connotations associated with this strategy for investigating, taking action and day dreaming about one’s place in the world.

A small work wins at the Minnawarra Art Award

 

Minnawarra Art Award Poster 2012

The digital print Billycatting won the $1000 acquisitive award at the Minnawarra Art Award on display Tuesday 17 July to Wednesday 25 July 2012

Mock-up of Vivienne Glance’s Persistence

 
Please use the following link to download a 34.6 MB quicktime mock-up for Vivienne Glance’s Persistence project

glancevivianmock-up3.mov 720 x 576 version 41 seconds long (direct link http://www.perditaphillips.com/wp-content/uploads/video/glancevivianmock-up3.mov)

 

Adaptation exhibition

 
The Adaptation exhibition runs 6 May to 10 June at INQB8.

It is the culmination of SymbioticA’s Adaptation project. There is an opening and artist talks 4:30 to 7:00 pm Sunday 6 May.

INQB8.mandurah Centre for Contemporary Art
63 Ormsby Terrace
Mandurah, Western Australia
Exhibition open on the Stretch Festival weekend 5 and 6 May (12.00 noon to 4.00 pm) and then Wednesday to Sunday 12.00 noon to 4.00 pm  Thursday 12.00 noon to 6.00pm.

Adaptation opening

 
The Adaptation exhibition about Lake Clifton opening and talks is on 4:30 to 7:00 pm Sunday 6 May.

The exhibition runs 6 May to 10 June at INQB8.

INQB8.mandurah Centre for Contemporary Art
63 Ormsby Terrace
Mandurah, Western Australia
Exhibition open on the Stretch Festival weekend 5 and 6 May (12.00 noon to 4.00 pm) and then Wednesday to Sunday 12.00 noon to 4.00 pm  Thursday 12.00 noon to 6.00pm.

Permeate on Radio National features Perdita Phillips

 
The short segment Permeate (part of Off Track) produced by Miyuki Jokiranta features an interview with Perdita Phillips about walking and sound in her practice. It includes narrative extracts from the sound walk To Meander and Back.

 

biodiversity and lake

You can listen to it here http://www.abc.net.au/radionational/programs/offtrack/permeate3a-perdita-phillips/3932726 (download might possibly be restricted to Australian isp addresses).

The sound art walking work continues with The Sxith Shore and with the up-coming cusp.

cusp

 
Currently working with audio/visual/performance technical expert Simon Wise to create a 4.5 m x 4.5 m grid of spatial sound. Cusp is an indoor spatial sound piece as part of The Sixth Shore project.

Explanation for the formation of beach cusps remains inconclusive and may involve the formation of standing edge waves or alternatively can be understood as a paradigm of self organisation, where positive feedback between the morphology of the beach and the flow of the water, create slight height differences that reinforce themselves.

Beach cusps are self organising once they form and continue until wave energy conditions change. They can be seen as analogies for how we can re-evaluate and reset our environmental and cultural priorities.

cusp (The Sixth Shore)

In this gallery-based work, sound moves through different speakers in a sequence similar to the way waves come up a beach before washing back out into the sea. It will be exhibited in Adaptation (6 May to 10 June at INQB8).

INQB8.mandurah Centre for Contemporary Art
63 Ormsby Terrace
Mandurah, Western Australia

Exhibition opening and talks: 4:30 to 7:00 pm Sunday 6 May
Open on the Stretch Festival weekend 5 and 6 May (12.00 noon to 4.00 pm) and then
Wednesday to Sunday 12.00 noon to 4.00 pm  Thursday 12.00 noon to 6.00pm.

With thanks to Simon Wise and Michelle Outram for loan of some vital equipment!